How to pick your first pair of pointe shoes

I still remember the feeling of happiness that I felt the day I bought my first pair of pointe shoes. I was 9 years old, and although the age at which each ballerina buys their first pointe shoes is not always the same, it’s very important to know the type of pointe shoes we need when we are beginners, at whatever age this might be.

I still remember the feeling of happiness that I felt the day I bought my first pair of pointe shoes. I was 9 years old, and although the age at which each ballerina buys their first pointe shoes is not always the same, it’s very important to know the type of pointe shoes we need when we are beginners, at whatever age this might be.

To go on pointe is something you do when you’ve been doing ballet for a few years. Wearing the wrong pointe shoes for your feet can lead to improper foot development, learning bad habits and even cause injury, so it’s very important to understand the types of pointe shoes that exist and which one is the best for you. Let ‘s dig into it!

First, what is a pointe shoe?

Pointe shoes are the shoes that ballerinas use mostly in classical repertoire, but they can be also used in modern and neoclassical pieces. The pointe shoes allow you to dance on top of your fingertips, making the dancer look light and ethereal, like sylphs.

What type of pointe shoes do you have?

Nowadays, there are many brands and types of pointe shoes, to not make this text too long, I will mention the 6 most important characteristics:

1. Size

Like street shoes, pointe shoes have a size according to the length of the shoe, and depending on the brand they will use a different type of sizing (European, UK, USA, etc). But beware, your street shoes size won’t always match your pointe shoes size..

2. Sole

The sole of the pointe shoes can be made of different materials, but what matters most about the sole is its hardness, and this is the second most important characteristic when choosing your first pair of pointe shoes. To understand the different hardnesses, we classify the soles as very soft, soft, medium, hard or very hard.

3. Box

The box is the third most important characteristic when choosing your first pair of pointe shoes. There are different shapes, dimensions and hardness of the wings (the sides of the box are called wings), but the most important characteristics are width and height.

4. Box width

The width of the shoe and the box are proportional. A larger box is a wider shoe, and a smaller box is a narrower shoe. The width is usually measured by the widest part of the foot, which is the part where the toe joints begin. This characteristic is very important, as wearing the wrong width shoes can be very painful.

5. Vamp (box height)

When choosing your first pointe shoes you should also pay special attention to the height of the box, because if it is too high or too low you will go on them incorrectly and they will get deformed.

6. Platform

The platform is the part of the shoe that stays in contact with the ground when you go on pointe. The larger the platform, the more balance and support you will have, but a smaller platform will show a better line of the leg and the foot.


How to pick my first pair of pointe shoes?

To pick your first pointe shoes you must know the type of feet you have, but before we are going to talk about the protections, as we must first know what is the extra space that we need inside the shoes so that our toes and protections fit.

Toes pads

To protect the toes from the shoe friction we use protectors called toe pads. There are toe pads of many types and materials, silicone, foam, fabric, thicker, thinner, and there are ballerinas who do not use toe them and use cotton or paper instead to better feel the inside of the shoe.

The protection you decide to use is a very personal decision, just keep in mind the extra space when buying your pointe shoes. If it’s your very first time, try different toe pads and different pointe shoes on the same day.

Finally, let’s talk about how to choose your first pair of pointe shoes!

Standing flat, your heel should touch the back of the shoe and your big toe should just touch the front. If they don’t the shoes may be too long. If your toes are crunching or curling the shoe may be too short.
“plié” deeply on one leg. Significant pressure on the big toe indicates a length that is too short.

If you have a lot of “cou-de-pied” (the arch of your foot is very curved) you will need a hard sole, and when you gain more strength you will have to switch to using very hard soles. On the contrary, if you don’t have a lot of “cou-de-pied” (the arch of your foot is straight or slightly curved) you should opt for a soft or very soft sole, and later move on to a medium sole.

We will pick a higher vamp if our feet are very arched to prevent the feet from bending beyond the platform and a shorter vamp if we have less arch to be able to fully get on the platform. In any case, the joints of all toes should always be covered by the box, never out because there would be a risk of injury, so if the ballerina has long toes, the box should be higher.

On the figure (A) the ballerina has a very arched foot, the sole is too soft and the vamp too short.
On the figure (B) the ballerina doesn’t have a very arched food, the sole is too hard and the vamp too high.
On the figure (C) the ballerina is wearing a soft sole (this is called “knuckling” and it is incorrect).
On the figure (D) the ballerina is wearing the perfect pointe shoe

The place where the sole should naturally bend is just below the heel, if it bends on the toes it means that the sole is too soft. The platform should always be in contact with the ground all or just a little behind (after a few days of use you should be able to get on completely).

Some pointe shoes have what ‘s called a split sole (a sole that is divided in two parts, cutted normally at 3⁄4). These types of pointe shoes are great choices for both types of ballerinas with big and smaller arches, but I don’t recommend using them if you are a beginner.

To measure the width, each brand uses different letters or numbers:

  • 2 or less / X / A or B / N (N for “narrow”)
  • 3 / XX / C / M (M for “medium”)
  • 4 or more / XXX / D or E / W (W for “wide”)

As for the platform, you should pick a platform that is large enough to give you support and feel stable but that at the same time looks good on you (smaller platforms tend to favor the line of your leg and foot more). Small ballerinas tend to use smaller platforms since their weight and height do not require as much platform surface, but it may vary from ballerina to ballerina.


The most used brands

To help you with making the decision of picking your first pair of pointe shoes, these are the most common brands: Bloch, Capezio, Freed, Gaynor Minden, Grishko, R-Class, and Sansha.

Extra tips

To be able to go on your pointe shoes for the first time, you should be able to do at least 20 “relevés” in a row with your knee stretched without getting cramps over a single leg, this way you can find out if your ankles and knees are strong enough for using pointe shoes. When you go on pointe, your weight should be over your big toe, it is very dangerous if the weight is transferred to the little toe as you could twist your ankle.

Getting blisters and irritation is normal during the first few years. Therefore, apart from being physically prepared, you must also be mentally prepared to endure the pain. Over the years, the skin gets used to and you are able to spend more hours dancing on pointe shoes. Just to have an idea, a professional dancer usually uses pointe shoes about 8 hours a day.

To finish off, remember that you can ask your teachers for advice, they will surely help you make this big decision, something that you will remember for the rest of your life.

By Júlia Muxinach | Ballerina & blogger | shesapiens.com

Balletto di Roma

Conceived by two of Italy’s great icons of stage, Franca Bartolomei and Walter Zappolini created the Balletto di Roma in 1960 with the desire to enhance and promote Italian dance.

Conceived by two of Italy’s great icons of stage, Franca Bartolomei and Walter Zappolini created the Balletto di Roma in 1960 with the desire to enhance and promote Italian dance.

Located in the capital, thel Balletto di Roma is the leading production house of ballet in Italy. Over the last ten years they have been responsible for more than 950 performances throughout the peninsula, with more than 390´000 people in attendance and a number of international tours across the world. ARABESQUE DOBLE.

In 2012, Balletto di Roma grew to also become an educational institute, with the opening of their first school. Dinamica Ballet provided the ARABESQUE-DOUBLE to fit out the new dance studios with a double row of wall mounted ballet barres. Together, the ballet company and school create an active synergy of training and performance, sowing the seeds and nurturing future talent.

Balletto di Roma is proudly fulfilling the founding fathers’ dreams and growing into the very lifeblood of ballet in Italy.

Balletto di Roma
Balletto di Roma
Balletto di Roma

TanzZentrum Hiltrup project

Dreams can become reality; just ask Sandra Landwehr founder of TanzZentrum Hiltrup. In 2013 her long term ambition to create a dance centre came to fruition.

Dreams can become reality; just ask Sandra Landwehr founder of TanzZentrum Hiltrup. In 2013 her long term ambition to create a dance centre came to fruition. In the short years that have followed, her 150m2 studio has helped train some 200 students from the age of four and upwards.

Staffed with professionally educated dance teachers, the centre offers courses in Classical Ballet, Jazz, Hip-Hop and Modern Dance.  Students are nurtured according to their ability and just as importantly, their bodies. To avoid injuries, Sandra ensures children are not trained in movements that are inappropriate for their anatomy.

The key to TanzZentrum Hiltrup’s success lies with the support programmes that the school offers. In 2014 Sandra Landwehr established a scholarship with the aim of helping her talented students.

As TanzZentrum Hiltrup has continued to expand, Dinamica Ballet has been there to supply the centre’s equipment.  Over the years we have provided our PINA and PRIMA freestanding ballet barres and also our fixed ARABESQUE-DOUBLE walled mounted ballet barres.

Dinamica Ballet also wish to thank TanzZentrum Hiltrup for providing many photographs of our equipment in use at their school. The the main picture on our home page is just one of them.

TanzZentrum Hiltrup
TanzZentrum Hiltrup

Institute of the Arts Barcelona project

The recently established Institute of the Arts Barcelona was founded in 2013 and is located in the beautiful and culturally rich coastal town of Sitges, half an hour south of Barcelona.

The recently established Institute of the Arts Barcelona was founded in 2013 and is located in the beautiful and culturally rich coastal town of Sitges, half an hour south of Barcelona.

Offering courses in Acting, Dance and Musical Theatre, the school specialises in higher education in performing arts for international students. The programmes are validated by the Liverpool John Moores University of the UK and with a student body of some 250 pupils coming from over 30 different countries; the IAB is a truly international institute.

Occupying a building that was purpose built for and used by Audi’s European design headquarters, the space is now a modern educational institution. The facilities include a 200-seat theatre, world-class dance studios, rehearsal studios, music practice rooms and a library. Fitted out with our PINA-FIX and PINA ballet barres, the architecture that was once built to inspire designers has evolved and been adapted into inspiring performers.

Institute of the Arts Barcelona
Institute of the Arts Barcelona
Institute of the Arts Barcelona

Performing Center Austria project

For more than 40 years the Performing Center Austria has been the first point of call for all types of dance courses and professional musical training.

For more than 40 years the Performing Center Austria has been the first point of call for all types of dance courses and professional musical training. Originally known as “Tanzforum Wien” and established by Traude Tinodi, nowadays the school is managed by Alexander Tinodi and is the largest private training centre for dance, singing and acting in Austria.

With the institute’s most recent expansion, Dinamica Ballet supplied the ARABESQUE-DOUBLE wall mounted barres and the ISA-FIX height adjustable, floor mounted ballet barres. In addition to these fixed barres, we also provided the premium quality MAURICE portable ballet barres.

Currently, a team of over 50 teachers train more than 700 students in ballet, jazz, hip hop and modern dance, including some 50 full-time students taught in singing and acting. Thanks to its long and successful work in the Arts, the Performing Center Austria is a source and creator of artistic ideas, projects and performances. Since 1997, it has also helped manage professional performing artists in the German music, theatre and film business as well as those in television production.

Performing Center Austria
Performing Center Austria
Performing Center Austria

L’Avant-Scène Dance Centre project

Founded and directed by Sthan Kaber-Louet, the L’Avant-Scène Dance Centre was established in 2016 and is nestled in the southern districts of Nouméa New Caledonia.

Founded and directed by Sthan Kaber-Louet, the L’Avant-Scène Dance Centre was established in 2016 and is nestled in the southern districts of Nouméa New Caledonia. The venue consists of two large ballrooms of 118 m2 named in homage to two of the most famous dance choreographers of the twentieth century, Maurice Béjart and William Forsythe.

As a former dancer of the esteemed Maurice Béjart, Sthan Kaber-Louet has led a prestigious career of international performances, creation and direction. The L’Avant-Scène Dance Centre has become his most recent project and establishes a highly regarded dance school in his native New Caledonia.

The newly created centre has been fitted out with our ARABESQUE-DOUBLE wall mounted ballet barres. In addition, a number of PINA freestanding ballet barres have also been provided to give the centre additional capacity for larger classes.

“Dinamica Ballet offer highly professional international service and quality designed products. We’re happy with the equipment we’re now using here in Noumea, New Caledonia. It allows our students to work in the best possible environment.”

-Sthan Kabar-Louet-

As one of our most distant clients at over 17’000 km away from Barcelona, Dinamica Ballet are extremely proud to have received such a glowing endorsement for our service and products. We wish Sthan Kaber-Louet and his L’Avant-Scène Dance Centre all the best in the future.

L’Avant-Scène Centre De Danse
L’Avant-Scène Centre De Danse

Athens Conservatoire

The Athens Conservatoire is the oldest performing arts institute in Greece. Founded in 1871, the conservatory offers music and drama courses and has the distinction of having taught a number of highly regarded performers over the years.

The Athens Conservatoire is the oldest performing arts institute in Greece. Founded in 1871, the conservatory offers music and drama courses and has the distinction of having taught a number of highly regarded performers over the years.

The current building forms part of a what was meant to have been a cultural complex. Despite construction commencing in 1969, only the conservatory was built and this passed into the hands of the state in 1980. In 2016 the building went through further changes. With a donation from the NEON Organisation for the promotion of contemporary art in Greece, the basement of the Athens Conservatoire was refurbished and used for the first time since construction. The area is now an exhibition space with an amphitheatre.

Within the walls of the Athens Conservatoire, you can find Dinamica Ballet’s ISA height adjustable portable ballet barres.

Conservatorio de Atenas
Conservatorio de Atenas
Conservatorio de Atenas
Conservatorio de Atenas

Corporis Fabrica, Paris

Located in the heart of Paris, Corporis Fabrica® is a centre of kinesiotherapy, physiotherapy and multidisciplinary care specialized in helping performing artists.

Located in the heart of Paris, Corporis Fabrica® is a centre of kinesiotherapy, physiotherapy and multidisciplinary care specialized in helping performing artists. This innovative centre is also a training space that works to assist artists with their health, injury prevention and performance.

With more than 15 years of clinical experience, Santiago del Valle, physiotherapist and author of several works on anatomy and biomechanics, founded the centre in 2017. He is assisted by physiotherapists whom he trains according to his approach and also professionals of various disciplines such as Gyrokinésis, Pilates and Classical Dance. The concept of his work is to find a logical continuity between physiotherapy and disciplining the body, based on the same principles of the optimal functioning of the body.

Corporis Fabrica® stands out for its innovation and for being a pioneer in the field of health of the performing artist. The knowledge of the anatomy and biomechanics applied to artistic gestures, as well as the emotional, aesthetic and social aspects that surround them, are the basis of the approach. The brand “Corporis Fabrica®” is a nod to the book of anatomy De Humani Corporis Fabrica, by Andreas Vesalius, which founded the modern understanding of the anatomy.

Dinamica Ballet is very honoured and grateful for being chosen as one of the centre’s main partners and setting us as a benchmark in the market of ballet barres and dance mirrors. We are delighted to have contributed our experience to their space dedicated to rehabilitation, prevention and performance, thanks to the installation of our fixed FIGARO wall mirrors and ISA height-adjustable, portable ballet barres.

Corporis Fabrica, Paris

CCA Danse, the first ballet school in Concarneau

A few months ago Ronan and Triin contacted us and told us that they had a dream. Today, that dream has come true. This is a story of love and dance. Triin grew up in Estonia, she started dancing when she was 5 years old following in the footsteps of her brother. She later graduated …

A few months ago Ronan and Triin contacted us and told us that they had a dream. Today, that dream has come true. This is a story of love and dance. Triin grew up in Estonia, she started dancing when she was 5 years old following in the footsteps of her brother. She later graduated in dance and choreography from Tallinn University. Ronan grew up in Concorneau, a beautiful town in French Brittany considered a UNESCO World Heritage Site.

Chance led them to meet in Paris and from there they went to live together in Italy, where Triin started teaching ballet again. After a few years they returned to Ronan’s hometown, Concarneau, where the couple started dreaming about creating their own classical dance school. Shortly after, the phone rang at Dinamica Ballet. Ronan told us about his dream, his project that until then only existed in her mind. We were touched by his passion for creating an artistic and cultural space that went beyond a ballet school. They wanted to create an authentic classical dance institution in Concarneau, where the teaching of classical ballet did not yet exist.

We started working on the project with Ronan and Triin from scratch, studying the size and configuration of their classrooms, the profile and number of students, and the type of teaching that was going to be taught. From there we analyzed which products could best fit into their spaces and we shaped their ideas until they became a reality. Today CCA Danse is already the first classical dance school in Concarneau. Triin offers a harmonious combination of quality teaching, engagement between teachers and students, and good humor. Our Amadeus wall-mounted mirror with bars, the Pina double mobile barre, a classic in our catalogue, and the Billy mirror with wheels integrate perfectly into the two CCA Danse venues.

From Dinamica Ballet it makes us happy to see how a project born from love has become a reality. We love collaborating with our clients in the conceptualization of their ideas and seeing how, as a result of effort and work well done, Ronan and Triin’s dream is now a reality with students of all ages discovering the expressiveness, musicality and technique of this wonderful discipline that is classical ballet.

Studios au 26 rue Amiral Courbet
studioccadanse.com
+33 6 70 16 35 11

CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa
CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa
CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa
CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa
CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa
CCA Danse, la primera escuela de ballet de Concarneau, en la Bretaña Francesa

University of Richmond project

The long history of the University of Richmond in the United States began with its founding as a liberal arts university in 1830.

The long history of the University of Richmond in the United States began with its founding as a liberal arts university in 1830. Over the ensuing years it has grown into its current 350-acre campus with over 4’000 enrolled students and encompassing five schools; School of Arts and Sciences, Robins School of Business, Jepson School of Leadership Studies, University of Richmond School of Law and School of Professional and Continuing Studies.

As a highly regarded educational institute, the University of Richmond has won a number of various accolades; these include recognition as being one of the smartest liberal arts colleges in America, ranked highly for its academic quality and student satisfaction and producing one of the highest numbers of Fulbright U.S. Scholars.

When the university’s department of Theatre and Dance required freestanding ballet barres, Dinamica Ballet was chosen as their preferred supplier. The University of Richmond selected the PINA freestanding ballet barre with wheels and opted for a double row of three metre long wooden beams.

Impressed by our equipment and service, the university also turned to us for their extension to the George M. Modlin Center for the Arts. Designed by Baskervill and constructed by TRENT Corporation, the new extension is fitted out with our ARABESQUE-DOUBLE walled mounted barres.

We are delighted with the ballet barres from Dinamica Ballet. We received quality built, aesthetically appealing equipment and were given excellent service with professional communication. We’d certainly recommend Dinamica Ballet.

Anne Norman Van Gelder- Department of Theatre and Dance, Director of Dance, Artistic Director

Dinamica Ballet are very proud to have supplied the prestigious University of Richmond in the United States with their new ballet barres. We know that for the many years of history that lie ahead, there will be many more awards and recognition for this outstanding university.

University of Richmond
University of Richmond
University of Richmond
University of Richmond